- #LUT FOR AVID MEDIA COMPOSER 8 UPDATE#
- #LUT FOR AVID MEDIA COMPOSER 8 UPGRADE#
- #LUT FOR AVID MEDIA COMPOSER 8 FULL#
Switch Proxy off and you are ready to render and output at full quality. For example, switch your project settings to 1/4 or 1/16 resolution for better performance while editing with large files. There’s a new Proxy setting designed for work with high-resolution media. Apply this to a top video track on your timeline and you can then add a user-supplied, film emulation (or any other type) look to all of your footage. Media Composer has allowed users to add LUTs to source media for awhile now, but 8.3 adds a new LUT filter.
#LUT FOR AVID MEDIA COMPOSER 8 UPGRADE#
Although Avid introduced high-resolution editing in its flagship software much later than its competitors, it comes to the table with a well-designed upgrade that attempts to address the nuances of modern post.Īnother new feature is LUT support. Need to edit 4K DCI Flat (3996×2160) at 48fps in DCI-P3 color space? Version 8.3 makes it possible. Not merely just the ability to edit in 4K, Media Composer now addresses most of the different 4K options that cover the TV and cinema variations, as well as new color spaces and frame rates. It ushered in new, high-resolution project settings and capabilities, but also added a resolution-independent Avid codec – DNxHR.
#LUT FOR AVID MEDIA COMPOSER 8 UPDATE#
The jump from Media Composer | Software 8.2 to 8.3 might seem minor, but in fact this was a huge update for Avid editors. This would let you run the latest software version for the time that it will take to complete that project.
On the other hand, if you own an older version, such as Media Composer 7, and need to edit a project that requires a higher version, you can simply pick up a software subscription for the few months. If you purchased ScriptSync or PhraseFind in the past, which rely on IP from Nexidia, then you can’t upgrade to version 8 or higher software and use those options. Unfortunately there’s still no resolution to the impasse between Avid and Nexidia. You can purchase other optional add-ons, like Symphony for advanced color correction. Opt out of the contract and you’ll still own the software you bought – you just lose any updates to newer software. If you purchase a perpetual license (you own the software), then an annually-renewed support contract gives you phone support and continued software updates. Media Composer | Software may be purchased, rented, or managed through a floating licensing.
In a software landscape quickly shifting to rental (subscription) business models, Avid now offers the most flexible price model. Finally – as in most years – the Academy Awards nominee field is dominated by films that used either Media Composer and/or Pro Tools during the post-production process. On January 16th of this year, Avid celebrated its relisting on the NASDAQ exchange by ringing the opening bell. The company closed out 2014 with the release of its Media Composer version 8.3 software, the first to enable higher resolution editing, including 2K, UHD and 4K projects. Avid Technology entered 2015 with a bang.